Wednesday, 12 May 2021

OTT Webseries Blues In India: Tandav Just A Beginning Of The Tandava?

 It seems, passably passable, that the outrage was waiting to happen. The gathering of the Over-the-summit media facilities platforms (OTT) that distribute video streaming on summit of the internet, has been tremendous in the last eight years in India; in 2018 its impression worth was as soon as more INR 21.5 billion which has grown to INR 35 billion in 2019 and it is vis--vis INR 40 billion now. The have enough portion worth is traditional to mount happening at the exponential rate of 45% to achieve on INR 138 billion in 2023 and on peak of 158 billion in 2024. The platforms enjoy a viewership of more than 1.7 billion subscribers currently which is likely to rise to a whopping 5 billion this year, making it the second-biggest OTT market after the US. Except for Reliance Entertainment's opening of BIGFlix in 2008, the biggest of the 40-jarring OTT platforms in the song of SonyLIV, Disney-Hotstar, Netflix, Amazon Prime, Voot, JioCinema and Zee5 started operations in India during 2013-18.


Initially, the OTT platforms were streaming released feature films, documentaries, rapid films and the in the future, but on peak of times they have launched themselves into their own video productions of movies, shorts and most importantly, the Web Series, and subsequently streaming those to their subscribers who can enjoy in their smartphones, laptops and desktops. Here lay the catch: there have been venerated regulatory bodies for print and electronic media; for advertising spots; and for the visual media including feature films, documentaries and any adding theatre-releases; however, for the OTT platforms, called Digital Media that includes social media and all totaling online expressions, there were no regulatory bodies, and this gave them a tote happening advantage beyond others.


After watching the streamed videos, particularly the Web-series back up to 9-10 episodes, one feels, anew sufficiently ample, that what the filmmakers cannot afford to get in the to-be-credited film productions, they can make a be in of it in the most self-ardent ways in the OTT productions. This means: they can find the share for leave to enter their actors to mouth altogether of the slangs/abuses in wanton abundance, they can act explicit sex scenes in graphic indulgence and can after that have use insults beyond take steps, in full gory details. This colossal advantage was bound to lift concerns and lighthearted the vigilante hardliners, sooner or far-off ahead.

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While the added forms of media, despite beast regulated, have been facing attacks from the hardline groups and the fringe elements, the Web-series productions, despite showcasing much bolder content, continued to enjoy some easy to get sticking to of to of immunity except for the occasional PIL. This scenario is perhaps explained by the fact that the OTT platforms mostly cater to the urban users having the required facilities, and the viewing mammal primarily personal when headphones plugged in. Thanks to the Digital India connectivity move around, the emergence of the Jio mobile-phone and internet facilities, and the consequent industrial accident in mobile and internet charges each and every one substitute than, the subscriber-gates after that opened going on to the gigantic sector of rural India.



 

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